The Princess Margaret Hospital is under construction.
When you approach from the back you will see workmen and scaffolding. You will see concrete, lines of vehicles and pylons. You will see obstacles. You will see a place you do not want to be. And at the top of the driveway leading to the entrance, there is a small bench beneath an overhang. It’s utilitarian, a place for patients to sit as they wait for transport. There is no view to be had, just cars and cement and shadow, and sitting there you feel like you’re in a parking garage. On the ground beside the bench, sesame seeds are scattered. A patient almost certainly makes a slow procession to this place each day. Feeling fragile and less than he remembered, his bare legs exposed beneath his hospital gown, he would cast seeds to the tiny birds who came to feed. Amidst all this mess, this construction and revision, this tangle of concrete and flesh, he would sustain them. This mercy, his daily gift. And he would watch the birds hop and cheep, marvelling at their perfect eyes and darting movements, their matchstick legs and alien feathers, and how with one small breath they were up and away, lifting deep into the blue forever sky just beyond.
Michael Murray is nothing without his wife.
Rachelle Maynard. That’s his wife.
Rachelle Maynard is the bomb.
She is the Galaxy Brain, and everything you see here is because of her.
That is the Capital T, truth.
But never mind that, for Michael Murray is truly the Galaxy Brain. He has won the New Yorker Cartoon Caption Contest and is so good-natured that he was once mistaken for a missionary while strolling the streets of a small Cuban town. He has written for the National Post, the Globe and Mail, the Ottawa Citizen, Hazlitt Magazine, CBC Radio, Reader’s Digest and thousands of other prestigious publications and high-flying companies that pay obscene sums of money .You should buy his book, A Van Full of Girls and throw money at Galaxy Brain.